Out of all the ways to portray Hesiod, I chose his encounter with the muses and laurel staff which he writes about in the beginning of his Theogony. I found this to be a really captivating metaphor for the the source of inspiration and creative spirit and accepting his role as a poet with a sort of sacred duty to perform this role to his full potential. I really love this idea that if we are born with inherent talents or skills we have some sort of cosmic responsibility to use them to their fullest. Pablo Picasso said, "“The meaning of life is to find your gift. The purpose of life is to give it away."
If you haven't noticed yet, I love to play with dark and light value transitions. So for Hesiod, even at the thumbnail stage, I knew I wanted him to have a darker tone at the top and transition down to a lighter tone to his feet. The muses almost feel like candle flames in the thumbnail but later I made them more wavy. I'm always thinking of visual hierarchy. If you look to my color sketch, you can see that I want Hesiod to be the darkest aspect and the muses to be the lightest, which creates the most contrast and, therefore your eye should be directed there first. The background elements like Pegasus, waterfall, and Apollo, are secondary elements, and should not be too high contrast to compete with the primary elements.
Out of all the ways to portray Hesiod, I chose his encounter with the muses and laurel staff which he writes about in the beginning of his Theogony. I found this to be a really captivating metaphor for the the source of inspiration and creative spirit and accepting his role as a poet with a sort of sacred duty to perform this role to his full potential. I really love this idea that if we are born with inherent talents or skills we have some sort of cosmic responsibility to use them to their fullest. Pablo Picasso said, "“The meaning of life is to find your gift. The purpose of life is to give it away."
If you haven't noticed yet, I love to play with dark and light value transitions. So for Hesiod, even at the thumbnail stage, I knew I wanted him to have a darker tone at the top and transition down to a lighter tone to his feet. The muses almost feel like candle flames in the thumbnail but later I made them more wavy. I'm always thinking of visual hierarchy. If you look to my color sketch, you can see that I want Hesiod to be the darkest aspect and the muses to be the lightest, which creates the most contrast and, therefore your eye should be directed there first. The background elements like Pegasus, waterfall, and Apollo, are secondary elements, and should not be too high contrast to compete with the primary elements.